2010 Home Tour Photos
Click on the photos below to enlarge them.
This grand Victorian mansion was built in 1877 by retired sea captain John Tucker. The 4-story, 5,200 square foot house is today listed in the National Register of Historic Places. Address: 110 Escobar Street. Owners: Joey and Linda Piscitelli. |
Visitors arrive at the front door of the mansion where they are greeted by a costumed docent, Pat Corr. Note the elaborate Victorian gingerbread on the exterior of the building. Also note the height of the porch ceiling.
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The main stairway of the home epitomizes the opulence that characterized large Victorian homes. The present owners completely renovated the house -- right down to the plumbing and wiring inside the walls. Missing period detail, such as wainscotting, was replaced where needed. The walls were covered with reproduction Victorian wall paper. |
Here we see the home's owner (center) asnwering questions from visitors while standing in the Breakfast Room -- decorated for the upcoming Halloween holiday.
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From an opulent Victorian mansion we move to a Craftsman bungalow built in 1926. The Arts & Crafts movement was a reaction to the "over decorated" Victorian aesthetic and emphasized simplicity of form, local materials and visible craftsmanship. Address: 1425 Highland Drive. Owners: Jeff and Vivian Rouball. |
Dining rooms of Craftsman homes typically included hardwood floors and varnished (unpainted) woodwork -- such as wainscotting, door molding, window molding, and built-in sideboard & china cupboard. All designed to showcase the craftmanship that went into construction of the house. Note the Art Deco slipper shade chandelier. |
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Janie Mori, a docent in the bungalow, demonstrates how to open the secret door -- which is disguised as the built-in bookcase. The wall sconce is actually the door handle. |
The secret door leads to a hidden room -- which has been set up as a small study. |
Here we have a 1928 house that shows the influence of the Storybook Style. An extension of the Arts & Crafts movement, storybook homes were the result of nostalgia for the pre-machine age. There were extreme examples which looked like Hansel & Greta's cottage. Address: 1025 Brown Street. Owner: Sharon McNalley. |
Brigid Bailey is the docent greeting visitors at the front door of the home -- which was designed by Walter W. Dixon, a Bay Area architect who was prominent in the 1920's. Docents at each home do their best to help orient visitors -- and to point out features of interest in the house. |
The elegantly simple living room of the house features hardwood floors -- which provide the perfect canvas upon which to display Persian carpets. The windows extend down to the tall baseboards, and the window moldings have rounded corners. |
An eye-catching white porcelain Wedgewood stove stands in the kitchen. The stove has been restored to like-new condition -- and is very functional with its 4 burners and its double ovens. An electric clock and timer are built into the back splash. The central griddle and trim are all chrome-plated. |
In front of the traditional 1-car detached garage sits a gorgeous 1939 MG VA Sport Saloon. Built in England, production of the car ceased the same year with the outbreak of World War II in Europe. Great Britain entered the War over 2 years before Pearl Harbor forced America into the conflict. Automobile owner: Richard Duncan.
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This Victorian cottage, which dates to 1882, has been home to several notable people in Martinez including Doctor John B. Tennent. Originally much larger, the house was split and the other half was moved to the opposite corner of the block. It is an example of the Victorian Stick Style. Location: 524 Masonic Street. Present owners: Bruce and Cassie Campbell. |
Evonne Siguenza was a docent at the home. An item of interest that Evonne pointed out to visitors were the examples of Martini art on the walls behind her. Martinez is the birthplace of the Martini -- and a bronze plaque across the street from this house marks the location where saloon owner Julio Richelieu mixed up the first "Martinez Special" in 1870. |
A nod to modern comfort and convenience is this up-to-date shower. Though new, the shower is lined with "subway tiles" -- which were already appearing in the kitchens and bathrooms of late Victorian Era homes, the tiles being then considered a practical and hygienic development for bathrooms, kitchens and wash rooms. |
The homeowners' cat seems nonplused by this classic automobile which appeared in her driveway on the day of the Home Tour. |
This Alhambra Valley home was constructed in 1947 of adobe blocks manufactured on the site and baked in the summer sun. The mission-style clay roof tiles were also made on the site, and were fired in a kiln on the property to make them weather-proof. The early California adobes gave rise to Ranch Style homes and this is a superb example of the transition between the two architectural types. Location: 3 Millican Court. Owners: Frank and Sandra Hall. |
The fireplace in the living room came from one of the 60+ wineries that existed in and around Martinez before passage of the Eighteenth Amendment (Prohibition) in 1919 brought about their demise. The thickness of the adobe walls can easily be seen around the window openings. The walls are 16 inches thick. |
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The tile floor, purchased in Fremont right after World War II, is original to the house, and remains in excellent condition. An example of the hand-made plank doors, imminently suitable for an adobe home, can be seen leading from the dining room to the breakfast nook and kitchen. |
The 1940's kitchen has been expanded and updated with new appliances. However, the original cabinetry remains. The additional cabinets required when the kitchen was enlarged were fabricated by a Martinez cabinet maker to match their older counterparts.
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The house features radiant heating throughout. But the beehive fireplace in the master bedroom provides supplemental heat. Thanks to the thick adobe walls, the house is warm in the winter, and no air conditioning is required in the summer.
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The roof rafters extend over and beyond the thick adobe block walls to form a loggia behind the house. The mission tiles can be seen through the open sheathing of the roof. The flooring of the loggia consists of clay floor tiles laid in a diamond pattern with concrete poured between.
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The Mahogany paneling in the living room was very popular in the years following World War II. The "wall of glass" to the right was intended to integrate the indoor living area with the outdoor living area -- a radical departure from traditional pre-World War II home design. |
The indoor living area is on the right. The outdoor living area (the patio) is on the left.
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Cabinetry abounds in the streamlined 1950's kitchen. Though updated with modern appliances, the kitchen retains its original look and feel. |
The Home Tour is a fun event to go on with your friends. These women know each other because they are all Red Hat Ladies, i.e. members of the Red Hat Society. |
The John Muir House was also on the Martinez Home Tour. This Victorian mansion was completed in 1882 by John Muir's father-in-law, Dr. John Strenzel -- who is often referred to as the Father of California Horticulture. John Muir himself is today referred to as the Father of our National Park Service. |
These mannequins are part of the de Anza Trail Display in the Martinez Adobe. Juan Bautista de Anza led almost 300 people, including 30 families, from Northern Mexico to Nuevo California (Alta California). These men and women, under the subsequent leadership of Jose Joaquin Moraga, established both the San Francisco Presidio and the San Francisco Mission. |
The cost of the Tour was underwritten by our community-minded sponsors; please mention them when possible. These are the PLATINUM sponsors:
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Cole Real Estate |
These are the GOLD sponsors:
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Community Focus |
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And these are our SILVER sponsors:
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Shell Western States Federal Credit Union |
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Republic Services |
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Les Schwab Tire of Martinez |
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Bisio / Dunivan |
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And these are our Bronze sponsors:
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Leading Edge Pest Management |
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Connolly & Taylor Chapel |
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The above pictures are provided by photographer Carter Wilson. Contact John Curtis by email if you have corrections or additional information for the captions underneath the above photos.